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- <text id=94TT1222>
- <title>
- Sep. 12, 1994: To Our Readers
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1994
- Sep. 12, 1994 Revenge of the Killer Microbes
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- TO OUR READERS, Page 25
- Elizabeth Valk Long, President
- </hdr>
- <body>
- <p> As TIME's Johannesburg bureau chief for the past five years,
- Scott MacLeod has seen more than his share of tragedy. But nothing
- prepared him for the devastating news in July that a colleague,
- 33-year-old South African photojournalist Kevin Carter, had
- killed himself. Carter was famous in South Africa for his fearless
- coverage of deadly township violence, and he had become internationally
- known for his Pulitzer prizewinning photo of a vulture coolly
- eyeing an emaciated Sudanese child struggling toward a feeding
- station. "Few journalists saw as much violence and trauma as
- he did," says MacLeod. Shocked by Carter's suicide, MacLeod
- determined "to understand as best I could the complexities behind
- his tragic end."
- </p>
- <p> The result is this week's unusual tale of a troubled man's life
- and death. In any given issue of TIME, we include, of course,
- many stories that are driven by news headlines--this week's
- account of the I.R.A. cease-fire in Northern Ireland, for example.
- Other stories, like our cover on the ominous resurgence of infectious
- diseases, reflect broader trends that we may have been tracking
- and developing for weeks. Occasionally we go back to a seemingly
- small event of months ago, briefly noted at the time, that strikes
- us as ripe with human drama and moral implications, worthy of
- detailed digging and sober reflection. The suicide of Kevin
- Carter was such an event.
- </p>
- <p> In researching the article, MacLeod interviewed Carter's family,
- close friends and colleagues, as well as experts on suicide;
- in the process he encountered several other journalists in pursuit
- of the mystery of Carter's self-destruction. But the subject
- eluded easy conclusions and assumptions. Says senior editor
- Howard Chua-Eoan: "It's tempting to call this a straightforward
- story of a man who couldn't handle fame, but in the end, it
- was a lot sadder and more complicated than that." Observes MacLeod,
- who worked with Carter in Mozambique in July: "Ambition and
- a search for glamour and excitement were clearly part of Carter's
- makeup. But to go into that kind of danger over and over again
- requires a strong sense of mission or idealism."
- </p>
- <p> MacLeod also sees Carter's story as representative of a darker
- side of middle-class white South Africa and as a warning about
- the lingering effects of apartheid on all of that country's
- people. "The lives of some whites too were disrupted and even
- destroyed by the social experiment," he notes. "I wanted to
- show that side of the apartheid story as well."
- </p>
- </body>
- </article>
- </text>
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